Jan Brueghel
1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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Jan Brueghel Landscape with robbers sharing loot . oil painting


Landscape with robbers sharing loot .
c. 1605(1605) Medium oil on panel Dimensions 41 x 65.6 cm (16.1 x 25.8 in) cjr
Painting ID::  91078
Jan Brueghel
Landscape with robbers sharing loot .
c. 1605(1605) Medium oil on panel Dimensions 41 x 65.6 cm (16.1 x 25.8 in) cjr
   
   
     

Jan Brueghel Schloss Mariemont mit Erzherzog Albrecht und Isabella oil painting


Schloss Mariemont mit Erzherzog Albrecht und Isabella
1611(1611) Medium oil on copper cjr
Painting ID::  91390
Jan Brueghel
Schloss Mariemont mit Erzherzog Albrecht und Isabella
1611(1611) Medium oil on copper cjr
   
   
     

Jan Brueghel Der Geschmackssinn oil painting


Der Geschmackssinn
1617-1618 Medium oil on panel Dimensions 64 X 108 cm cyf
Painting ID::  91927
Jan Brueghel
Der Geschmackssinn
1617-1618 Medium oil on panel Dimensions 64 X 108 cm cyf
   
   
     

Jan Brueghel Bouquet of Flowers oil painting


Bouquet of Flowers
second half of 16th century Medium oil on oak panel cyf
Painting ID::  92137
Jan Brueghel
Bouquet of Flowers
second half of 16th century Medium oil on oak panel cyf
   
   
     

Jan Brueghel Peasants on a wagon near a river going through a village oil painting


Peasants on a wagon near a river going through a village
oil on copper cyf
Painting ID::  92183
Jan Brueghel
Peasants on a wagon near a river going through a village
oil on copper cyf
   
   
     

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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